Add to ORKGThis Article examines the award-winning television show, Breaking Bad, to illustrate how the idea of a contract in popular culture can become inflected with a style of retrograde masculinity. Deals in Breaking Bad take place in the classic contract imaginary, which resembles the classic Western shootout: two antagonists face each other down in a duel. The show interrogates the frontier thesis, with its links to the American Dream and dangerous masculinities, through the ruthless contracts of Walter White
The article analyzes some screenwriting techniques used in the critically acclaimed U.S. cable Tv se...
By analyzing the complexities that arise between family values and traditional Judeo-Christian moral...
According to its creator, Vince Gilligan, Breaking Bad (AMC, 2008–13) describes the moral corruption...
This paper examines how emasculation as a fallen status within the gender order reinforces narrowly ...
I am proposing a critical inquiry into the structural function of the character of Skyler White in A...
This article argues that the television series The Shield (2002–08) and Breaking Bad (2008–13) are t...
This presentation explores the construction of the white male as both victim and hero in two popular...
This article provides a cultural criminological analysis of the acclaimed US television series, Brea...
Located within this post-recessionary period, and arguably influenced by a masculinized neoliberalis...
This thesis examines the discursive intersections of neoliberalism and masculinity on The Sopranos ...
In the last two decades there has been a spate of what is considered quality television. The success...
Both the “crisis of masculinity” and “quality TV” have been popular discourses in academia in recent...
The archetypal protagonist of the modern “Golden Age of Television” is a maladjusted, White male str...
Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Seri...
Although Breaking Bad (AMC, 2008-2013) is one of the most critically acclaimed TV Series of the last...
The article analyzes some screenwriting techniques used in the critically acclaimed U.S. cable Tv se...
By analyzing the complexities that arise between family values and traditional Judeo-Christian moral...
According to its creator, Vince Gilligan, Breaking Bad (AMC, 2008–13) describes the moral corruption...
This paper examines how emasculation as a fallen status within the gender order reinforces narrowly ...
I am proposing a critical inquiry into the structural function of the character of Skyler White in A...
This article argues that the television series The Shield (2002–08) and Breaking Bad (2008–13) are t...
This presentation explores the construction of the white male as both victim and hero in two popular...
This article provides a cultural criminological analysis of the acclaimed US television series, Brea...
Located within this post-recessionary period, and arguably influenced by a masculinized neoliberalis...
This thesis examines the discursive intersections of neoliberalism and masculinity on The Sopranos ...
In the last two decades there has been a spate of what is considered quality television. The success...
Both the “crisis of masculinity” and “quality TV” have been popular discourses in academia in recent...
The archetypal protagonist of the modern “Golden Age of Television” is a maladjusted, White male str...
Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Seri...
Although Breaking Bad (AMC, 2008-2013) is one of the most critically acclaimed TV Series of the last...
The article analyzes some screenwriting techniques used in the critically acclaimed U.S. cable Tv se...
By analyzing the complexities that arise between family values and traditional Judeo-Christian moral...
According to its creator, Vince Gilligan, Breaking Bad (AMC, 2008–13) describes the moral corruption...